Brian Dillon Traces Grief Through Books, Dublin and Ideas
Brian Dillon’s memoir looks at grief, Dublin and the books that made a young mind feel possible. It is thoughtful without being cold, giving readers a personal route into criticism, memory and the strange ways reading can remake a life.
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Ambivalence
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Brian Dillon Traces Grief Through Books, Dublin and Ideas
Brian Dillon’s memoir looks at grief, Dublin and the books that made a young mind feel possible. It is thoughtful without being cold, giving readers a personal route into criticism, memory and the strange ways reading can remake a life.
- Book Synopsis
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When Brian Dillon was sixteen his mother died and he simply gave up all schoolwork. While he courted exam failure, his real education was going on elsewhere: with books, music, films and television. When at last he made it to university, his head was already full of avant-garde writing, art and ideas. Could academia live up to the hopes and dreams he had invested in it? Halfway through college his father died, and the stakes of reading and writing seemed even higher. Ambivalence explores what learning meant to its author, what it enabled and denied, between the ages of seventeen and twenty-six, when he left his native Dublin. It's at once a memoir of that city in the 1980s and 1990s, an uncynical portrait of the adolescent and early-adult mind, and an intimate defence of radical thinking about literature and life.
In vivid present-tense fragments, Dillon describes his first encounters with writers such as Virginia Woolf, Walter Benjamin, Samuel Beckett, Roland Barthes and Jacques Derrida. He recalls being seduced by ambivalence, ambiguity and androgyny - on the page and in the life he hoped his reading would transfigure. The era he describes seemed to demand new ways of thinking about aesthetics and politics. Today, when rights are fragile, arts and humanities attacked, and students dismissed as radicals or narcissists, Ambivalence is an argument for the poetic and revolutionary force of changing yourself and even the world by changing what you know.
Ideal for readers who:
- Appreciate literary memoirs and essays focused on grief, art and intellectual growth.
- Are intrigued by how teenage loss can channel into books, music, avant-garde ideas and academia.
- Look for a thoughtful look at a Dublin upbringing intertwined with criticism, culture and self-invention.
- Value reflective, precise prose that explores uncertainty rather than trying to neatly resolve it.
- About The Author
- Brian Dillon was born in Dublin in 1969. His books include Affinities, Suppose a Sentence, Essayism, The Great Explosion (shortlisted for the Ondaatje Prize), Objects in This Mirror: Essays, I Am Sitting in a Room, Sanctuary, Tormented Hope: Nine Hypochondriac Lives (shortlisted for the Wellcome Book Prize) and In the Dark Room, which won the Irish Book Award for non-fiction. His writing has appeared in the Guardian, New York Times, London Review of Books, the New Yorker, New York Review of Books, frieze and Artforum. He has curated exhibitions for Tate and Hayward galleries. He lives in London.
- Product Details
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- ISBN
- 9781804272473
- Format
- Paperback
- Publisher
- Fitzcarraldo Editions, (07 May 2026)
- Number of Pages
- 176
- Language
- English
- Dimensions
- 197 x 125 mm
- Categories: